Couple all this with the introduction of Marvin Rush as the show’s cinematographer (who arrives with his trademark vibrant, bright color scheme) along with newly redesigned uniforms, phasers and a fresh main title sequence and all the pieces are in place for TNG‘s most standout and memorable season. Moore, Ira Steven Behr and René Echevarria. Hurley’s departure also allows for the appointment of Michael Piller to the writing room, an event which triggers the introduction of a variety of familiar Trek alumni including writers Ronald D. Beverly Crusher, reuniting the original Next Gen family of characters in their familiar roles that are to last through the remainder of the show’s run.
Head writer Maurice Hurley’s departure coincides with the return of Gates McFadden to the role of Dr. Indeed, it’s somewhat difficult to point the finger at “bad” episodes this season – looking through the list, I can label a mere few as “average”, with the vast majority falling under the “very good” to “excellent” category.
High concept science-fiction stories are told with a fresh boldness which makes the show feel all the more confident and groundbreaking in its presentation. Season 3 seems to possess a maturity which was lacking from large parts of the first two seasons. Star Trek: The Next Generation‘s third season is widely regarded by critics and fans alike as the show’s finest year and a definitive turning point when TNG became the “well-oiled machine” it would be for the remainder of its time on air.
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